From the Thicket, Skyward

Another painting done in a favorite stand of aspens outside of Cody, Wyoming. This sunny autumn afternoon, the sky was pale blue, shepherding sleepy puffs of cumulus clouds, fighting for my attention even as I tried to focus on the trunks of the trees. So a study in tree geometry opened up to become graced with

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Quickly, as the Shadows Deepened

The end of a frustrating afternoon. My wet panel boxes were almost empty––few paintings had sprung from my brush that day––and I was feeling disappointed. What I had tried and how I had tried to paint had simply failed to bring forth much satisfaction.  And on top of that, the light was now fading very

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Afternoon, as Sunlight Lingers

This was painted on a cool autumn afternoon as storm clouds threatened. The skies were growing darker in the West but the sunlight held on, popping out now and again from between the clouds and spraying dappled light on the woods floor below. I saw this quiet spot between the tree trunks and watched the

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Blue Skies as Autumn Beckons

Glancing up one afternoon in a stand of aspens, I saw the delightful light of that end-of-summer afternoon and the way the crystal blue skies framed the leaves just kissed with a hint of the gold to come. I became entranced with the cerulean spaces between the leaves, the way the sky pushed through the foliage

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Whispering Aspens

There is a forest outside of Cody, Wyoming with a stand of aspens to which I return time and time again. It is a common source for many of my paintings. I love the angle of the tree trunks and the random yet precise order of the elements there. I had originally planned to trim

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Grateful for the Sunlight

I have been a designer for years and so I see the geometry in nature, the form in random things and enjoy simplifying a complex subject into its basic elements. This is one of the first paintings I have made in a stand of aspens that has become one of my favorite subjects to paint.

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Afternoon Dance with Aspen Sunlight

When I first began painting trees, I quickly became enamored of the geometry in the forest. This is a study in lines and angles, massaged by light and accented with color. I love the way tree trunks all often lean at the same angle, a simple story of shapes and values that simultaneously describe a

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Golden Aspens

This relief was inspired by a one of my plein air paintings of a stand of aspen trees in the foothills of the Rockies. As in the painting, I have reduced the elements to their geometric essence, creating a study in line and form accented with color. The original was created by carving the design in reverse

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